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The Count of Monte Cristo
Le Comte de Monte-Cristo
Edmond Dantès becomes the target of a sinister plot and is arrested on his wedding day for a crime he did not commit. After 14 years in the island prison of Château d’If, he manages a daring escape. Now rich beyond his dreams, he assumes the identity of the Count of Monte-Cristo and exacts his revenge on the three men who betrayed him.

The Count of Monte Cristo
Le Comte de Monte-Cristo
A TV mini-series adaptation of the classic Alexandre Dumas novel. Edmond Dantes is unjustly sent to prison for 18 years. He escapes to reclaim his fiancée Mercedes and revenge against his nemesis, Mondego.

Le Comte de Monte-Cristo

Le Comte Kostia

Le comte Ory
Rossini's "Le Comte Ory" tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by Tony Award winner Bartlett Sher, who presented the action as an opera within an opera, updating the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. Conducted with verve and finesse by Maurizio Benini, the production also features the stylish French baritone Stephane Degout as Ory's bibulous conspirator Raimbaud, charismatic Italian bass Michele Pertusi as the Count's long-suffering Tutor, and, formidable as Adele's housekeeper Ragonde, the Swedish dramatic mezzo Susanne Resmark.
Le comte Ory
Cecilia Bartoli stars in this ebullient Zurich Opera House production of Rossini’s first French-language comedy opera described by the international press as “pure, unadulterated fun” and reminds us of her comic gifts and her naturalness as a stage actor — as well as her total sympathy with the music of Rossini.

Count Obligado
Le comte Obligado
Antoine, elevator operator of a haute couture house, takes advantage of an inheritance to lead the high life for three days by pretending to be a rich count.

Le Comte Ory
Glyndebourne's intimate opera house provides the perfect setting for Rossini's third French opera, a sparkling medieval comedy of lust and chastity.

The Count of Monte Cristo
Le Comte de Monte-Cristo
Edmond Dantes is falsely accused by those jealous of his good fortune, and is sentenced to spend the rest of his life in the notorious island prison, Chateau d'If. While imprisoned, he meets the Abbe Faria, a fellow prisoner whom everyone believes to be mad. The Abbe tells Edmond of a fantastic treasure hidden away on a tiny island, that only he knows the location of. After many years in prison, the old Abbe dies, and Edmond escapes disguised as the dead body. Now free, Edmond must find the treasure the Abbe told him of, so he can use the new-found wealth to exact revenge on those who have wronged him...

Le Comte Ory
For reasons that are by no means clear, in this production the work is set in an hotel at which the guests are invited to a soirée based on the legend of Count Ory. They dress up as the characters in a rudimentary way. The director clearly gets much fun from the disguise of the men as nuns in Act 2 when their nuns’ habits are worn over old-fashioned underwear which they take every opportunity to reveal.

Le Comte Ory
Stage Director Laurent Pelly returns to Lyon for a new production of Rossini’s Le Comte Ory that transforms an exotic hermit from Palestine into an Indian guru, and a young medieval countess into an uptight bourgeoise. Music Director Stefano Montanari leads the Orchestra of the Opéra de Lyon in Rossini's rollicking score, while Dmitry Korchak (Le Comte Ory), Désirée Rancatore (La Comtesse Adèle), and Antoinette Dennefeld (Isolier) invite hilarity at every turn as the bumbling triangle of lovers.
Le Comte Ory
Le Comte Ory tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun ("Sister Colette") in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by the Tony Award-winning Broadway director Bartlett Sher, who in recent years has also staged Il barbiere di Siviglia and Les Contes d'Hoffman for the Met. Sher presented the action as an opera within an opera, updated the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays his love interest, Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. The trio had appeared in Sher's production of Rossini's Il barbiere di Siviglia.

Le Comte de Bouderbala

The Count of Monte Cristo
Le Comte de Monte-Cristo
Edmund Dantes is falsely accused by those jealous of his good fortune, and is sentenced to spend the rest of his life in the notorious island prison, Chateau d'If. While imprisoned, he meets the Abbe Faria, a fellow prisoner whom everyone believes to be mad. The Abbe tells Edmund of a fantastic treasure hidden away on a tiny island, that only he knows the location of. After many years in prison, the old Abbe dies, and Edmund escapes disguised as the dead body. Now free, Edmund must find the treasure the Abbe told him of, so he can use the new-found wealth to exact revenge on those who have wronged him.

The Count of Monte Cristo
Le Comte de Monte Cristo
Le comte de Monte Cristo (15 Episodes). Monte Cristo, based upon Alexandre Dumas' novel of the same name, tells the story of Edmond Dantès, an innocent man jailed for 14 years after being wrongfully convicted. He succeeds to escape prison, finds a treasure on the isle of Montecristo and wreaks revenge on the ones who put him in prison.
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Rossini.Le Comte Ory.Juan Diego Flórez, Diana Damrau, Joyce DiDonato, Met Opera, Ma**izio *enini.2015.*D1080i
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