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The film depicts a romance set against the backdrop of the Korean War.

September 1980. Mustafa 'Mehmet Ali Alabora' and his wife, who're both laborers are married for 5 years. The couple has nothing to do with politics and spend their days happily with their 3 year old daughter and their TV, despite the clamor of guns clashing outside every night. One Friday morning, they wake up and hear the voice of Hasan Mutlucan on radio and observe soldiers marching through the streets, the very confirmation of the military coup that has taken place. Arrests begin instantly in workplace and neighborhood. Yet Mustafa, far from being disturbed, assumes that all apprehensions must have rightful reasons. Until the night he's taken into custody, charged with the crimes of a militant code named "Sehmuz".

Yusuf is a fisherman who leads a legitimate life with his family. Pınar is the daughter of one of the rich and respected families of the Istanbul. While they both live happily, a terrible event brings together Pınar and Yusuf, whose paths will never cross. Now they both have one goal. Revenge on the people who turned their lives upside down!

Gülcan and her husband İbrahim dream of a happy future together in their village. However, they are subjected to the cruelty of the Agha, the local landowner who lords over the entire village. İbrahim is fed up and moves to Germany to find work. On the other hand, Gülcan has to deal with Agha's evils alone.

Return to the Nest tells the story of a young woman who, following the death of her mother, sets out to find her father, whom she has never met. In 1985, during the Iran-Iraq War, a large-scale operation is carried out to bring 215 passengers from Iran to Turkey. Among these passengers, whose lives have been saved, is a young Japanese girl named Keiko. Keiko falls deeply in love with Zafer, a lieutenant in the special forces stationed at the Turkish Embassy in Iran. However, the war forces them apart. Zafer manages to get her onto the plane heading to Turkey to save her life. But there is one crucial thing he does not know: Keiko is pregnant. After arriving in Turkey, Keiko gives birth to her daughter Yumi.

The story of the journey back to the past of the third and fifth generation women of a family who had to leave their homeland due to the population exchange between Turkey and Greece. Will they be able to take the land they took from their families' graves to their hometown of Kavala?

Dönüş - Retour. “This is war. The cover is closing”. Jérôme Bastion is a correspondent for Radio France Internationale (RFI) in Turkey. He has lived for 20 years in Istanbul, becoming a reference for the French speaking radio audiences in world. A voice for civil rights and freedom of speech, Jérôme has witnessed Erdogan’s Turkey returning in the state of violence and deprivation of freedoms, a situation, that reminds him the status quo when he first arrived in Turkey. Dönü.–Return is a character-driven current affairs documentary that deepens the ongoing decline of Erdogan’s Turkey towards an authoritarian and undemocratic state, where opposition, civil rights and freedom of speech are strongly and violently oppressed.

Inhospitable at the best of times, the snow-covered mountainscapes of Eastern Anatolia constituted a fatal frontier for many war exiles after the battle of Sarikamish in 1915, and provides a canvas laced with beauty and threat for this bone-chilling survival yarn, the superb debut feature of Alphan Eşeli. Starting out with three characters – a refugee mother and daughter and their grizzled guide – the film traces their daunting trek across this barren terrain to safety, with the Russians encroaching and other stragglers, including a pair of wounded, frostbitten Ottoman soldiers, all orbiting the same burnt-out village they find in their path. Puncturing its aura of ghostly impasse with some shocking narrative reversals, and constantly prickling with the mutual dread of strangers in gruelling extremes, the movie stakes out hugely credible ground next to established Eastern Front war classics (In the Fog, Come and See) while remaining thoroughly its own beast. (Source: LFF programme)

Refika Birgül explores the topics of our food culture from everyday life in her dishes and gives us recipes about food and life. She uses her creativity to bring back the forgotten and neglected local ingredients, the main characters of her recipes. She creates new recipes while preserving the traditions of our rich culinary culture, on the one hand, and breaking the rules on the other.

The film continues to tell the story of the adventures of three close friends, Aslı, Can, and Mert.

Turkish democracy got over the 27th of May and the 12th of March and set off again, but the storm did not subside and the mutual reckoning was not over. On the contrary, new fronts were opened in the country and blood began to flow like a gutter. Finally, on September 12, there was a knock on the door again. Those who came that day changed everything, everything. Nothing would ever be the same again, nothing would be the same as before.