vietnamese

Since the fall of Saigon in 1975, Vietnamese refugees have built the largest Vietnamese community outside of Vietnam, in Orange County, California. In 1999, "Little Saigon" burst onto the national stage when a store owner displayed a poster of Ho Chi Minh, triggering protests by Vietnamese Americans struggling to reconcile their past demons with their present lives. Saigon, U.S.A. uses this moment to examine this community's changing identity and growing empowerment.

To experience snow and learn German, the young Vietnamese woman Trúc Lâm moves to a little town in the Erz Mountains. During a guided tour of a mine, she leaves her group and reaches the other side of the mountain through a secondary shaft. The world there is similar to the one she left – only all the people are different. She meets Duc, who is also from Vietnam and whose parents have an Asian snack bar. And she meets a mysterious spirit who offers to make a deal with her to enable her return to her old world.

Via Dolorosa captures director’s journey in reconnecting with Vietnamese homeless persons whom she filmed for another short film two years ago. While she accompanied a man in his final days, Jo searched within herself to resolve the original sin of the documentary filmmaker as a bystander to the suffering of others.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

Lisa matched with Xuân through a dating app, and she is to meet her for the first time. But there is a problem : to appeal to Xuân, Lisa lied and told her that she is fluent in Vietnamese, her native language, despite not understanding a single word. Getting deeper into her lies, there is only one week left before the date for Lisa actually to learn vietnamese. Otherwise, Xuân will find out she’s a fraud.

My Thu, an immigrant of Vietnamese origin who had to flee her country during the war, faces an eviction order from her Montreal apartment. In the midst of a battle against gentrification, she needs her daughter's help.

Maarit is a girl who never believes in love until she truly accepts it.

The Vietnamese German Huong, equipped with her small video camera, documents her life before moving out, exploring her relationships with friends, family, places and objects that she leaves behind. A poetic snapshot of her person, addressed to her father.

An imaginative telling of the story of a Vietnamese American mother-daughter duo who, in their attempt to heal the rift between them, reenact and satirize scenes from celebrated Vietnam War films while depicting a diasporic reality. Two inventive storylines complicate The MOTHERLOAD to levels of absurdity. Both of these glide in and out beneath the narrative backbone of Jessca and Kim’s personal story, and reflect the stunning disconnect between the Vietnamese diaspora and the world’s understanding of their presence.

The young girl chooses a life on social media for the safety she has created for herself. She hates her name Snow White because to her, she is not a princess. She ran into a friend and he gave her a different perspective on how to look at life.

A young man with no plans discovers an old pay phone and tries to reconnect to his past.

Two reluctant Vietnamese husbands embark on a wild mission to track down their K-pop-obsessed wives in Seoul.

The different ways a single Vietnamese mother loved her three daughters comes to fruition when Junie, the middle child, reunites with her sisters in their childhood home on their mother’s death anniversary.

To the group of homeless people living under a bridge in Sham Shui Po, daily life involves coping with strange stares cast by passersby and dodging the frequent raids by the government. Fortunately, a group of volunteers led by a local pastor show them there are still some who care and are willing to lend a helping hand.

Between Us follows the multilayered stories of LGBTQIA+ Khmer and Vietnamese cultural workers in southern California as they contemplate the in-betweenness of belonging, healing, and carving out spaces of their own.

47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.