perception

One year after outwitting the FBI and winning the public’s adulation with their mind-bending spectacles, the Four Horsemen resurface only to find themselves face to face with a new enemy who enlists them to pull off their most dangerous heist yet.

Get ready to have your mind messed with! "Brain Games" is a groundbreaking series that uses interactive experiments, misdirection and tricks to demonstrate how our brains create the illusion of seamless reality through our memory, through our sensory perception, and how we focus our attention.

Suburban dad Craig falls hard for his charismatic new neighbor Austin, and his attempts to make an adult male friend threatens to ruin both of their lives.

Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds — with some words of wisdom from actor Peter Falk — that it might be possible for him to take human form.

Evan Birch is a family man and esteemed professor at a distinguished university. When a female student goes missing, police Detective Malloy has reason to be suspicious when crucial evidence makes Evan the prime suspect in her disappearance.

Asking how you tell what's real and what isn't sounds like an obvious question. But in this series of six programmes, James Burke shows that the more you think about it the harder it is to answer. After all, what have you got, apart from your five senses, to prove those senses are giving you the real thing?

Bauji resists his daughter's request to let her marry the man she loves as the neighbours incessantly shame him. However, his opinion changes after he meets him and he decides to change his viewpoint.

Filmmaker Theo Anthony offers a far-ranging look at the biases in how people see things, focusing on the recorded image.

The secrets about unlocking the mysteries of consciousness by plant-drugs. The related chances and risks involved in this shamanism. While filming Blueberry, the Secret Experience, Jan Kounen met the Shipibo healers of the Peruvian Amazon and discovered their sacred plant: Ayahuasca, the spirit vine. Deeply affected by this experience, he decided to return to Peru to shoot a documentary on the plant and the medicinal rites of the shamans. To this end, he filmed the natives but also met neurologists, philosophers, artists, and chemists working on this subject. He notably interviewed Jean Giraud, the illustrator of Blueberry, and Kary Mullis, winner of the 1993 Nobel Prize in Chemistry. More than a traditional documentary, the film is an invitation to travel, a half-open door to another world or another perception of reality. The secrets about unlocking the mysteries of consciousness by plant-drugs. The related chances and risks involved in this shamanism.

Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.

A dreamy autumn picnic goes awry when it receives an unexpected visitor.

Perception explores the breach of experience that divides us all by glancing into the lives of three individuals: Clarissa, a young idealistic photographer who chooses to live as a homeless person on the streets of New York, supporting herself meal by meal by selling her photography from a blanket in Central Park; Ralph, a successful real estate salesman who struggles for balance against the cut-throat nature of his business; and Tobias, a perpetual student who gets fired a lot. Perception journeys through the same season of time from each character's point of view, detailing how presumption and mistaken intention leads to great misunderstanding. A moment, revisited from another point of view, takes new dimension--and the line between protagonist and antagonist blurs.

From prehistoric times to our technologically accelerated present, this exciting and entertaining journey through time explores the thousands of ways in which mankind has perceived, measured and passed time over the course of its history.

“Here are some Images” is an short film exploring the interplay between internal and external images, using hand-processed 16mm footage and musings on perception and memory.

The film follows five people who lost their sight in armed conflicts, gathering fragments of their present-day lives. Through an enveloping sound composition, veiled archival material, footage shot by the protagonists themselves, and a sensitive visual approach, the film explores memory, perception, and our relationship to the visible. Steering away from spectacle, it invites us to hear what often goes unheard, and to feel differently. In an age saturated with images, this documentary offers a sensory experience where listening becomes a gesture of resistance and human reconnection.

Martin Haberstich thinks he witnessed a murder. When he finds out what really happened it’s too late. A slightly surrealistic murder mystery about perception and reality. A film that explores new territory, it’s film noir revisited, with an existential touch.

How can structures, which take up defined, rigid portions of space, make us feel transcendence? How can chapels turn into places of introspection? How can walls grant boundless freedom? Driven by intense childhood impressions, director Christoph Schaub visits extraordinary churches, both ancient and futuristic, and discovers works of art that take him up to the skies and all the way down to the bottom of the ocean. With the help of architects Peter Zumthor, Peter Märkli, and Álvaro Siza Vieira, artists James Turrell and Cristina Iglesias, and drummer Sergé “Jojo” Mayer, he tries to make sense of the world and decipher our spiritual experiences using the seemingly abstract concepts of light, time, rhythm, sound, and shape. The superb cinematography turns this contemplative search into a multi-sensory experience.

Borrowing from an anthropological study initiated through the University of California in 1969, The Taste of The Name is a fantasia on universality. As a parallel to the elusive “umami” and its gradual scientific acceptance as a primary taste, we consider what is perceivable, knowable, and namable. Through the blue spectrum of various hermetic artifices, we are fed fables of Jules Verne's Nautilus and resurface in a virtual tanning bed, turning over in a slippery navigation of language.

A man is coming home after a long day outside. Something or someone is starting to follow his path, trying to reach him. But his extrasensorial perception begin to warn what's happening.

Dismissed by those around her, a young woman begins performing as a living statue, finding strange power in stillness, until she reclaims the spotlight on her own terms.

A man is trapped in the same moment, reliving his death again and again. Only at the end does he realize who is really in control.